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Princess of Caraboo
Oil on canvas
48 x 60 in
2022
Oil on canvas
48 x 60 in
2022
D 22
digital drawing
11x8.5 in
2022
digital drawing
11x8.5 in
2022
D 11
digital drawing
11x8.5 in
2022
digital drawing
11x8.5 in
2022
i wanna stay here
digital drawing
11 x 8.5in
2021
digital drawing
11 x 8.5in
2021
Twenty Clearing / Colonization
12.5x17.5 in
oil, playboy magazine pages (Figures inspired by Carlota Guerrero’s Playboy x ‘celebración sexual’), and biology textbook pages on glass panel
2020
12.5x17.5 in
oil, playboy magazine pages (Figures inspired by Carlota Guerrero’s Playboy x ‘celebración sexual’), and biology textbook pages on glass panel
2020
The Moment of Calm Right After Glass Shatters At Your Feet
18x24in
pastel, watercolor, acrylic paint, ink, playboy centerfold, and biology textbook pages on pastel paper digitally edited using Procreate
2020-2021
18x24in
pastel, watercolor, acrylic paint, ink, playboy centerfold, and biology textbook pages on pastel paper digitally edited using Procreate
2020-2021
Twenty Ascend Diptych
38x50in, 18x24in each panel
oil, gel medium, and paper on canvas
2020
38x50in, 18x24in each panel
oil, gel medium, and paper on canvas
2020
Venus of Urbino
36x40in
oil paint, gel medium, gesso, and collaged paper on canvas
2020
36x40in
oil paint, gel medium, gesso, and collaged paper on canvas
2020
Reclined Nude / White Fragility
24x12in
oil, playboy centerfold, and biology textbook pages on canvas
2020
24x12in
oil, playboy centerfold, and biology textbook pages on canvas
2020
Deep Sea
12x24in
oil, playboy centerfold, and biology textbook pages on panel
2020
12x24in
oil, playboy centerfold, and biology textbook pages on panel
2020
Pop
12x24in
oil, playboy centerfold, and biology textbook pages on panel
2020
12x24in
oil, playboy centerfold, and biology textbook pages on panel
2020
Land of Make (you) Believe (anything I want)
12x24in
oil on panel
2020
12x24in
oil on panel
2020
Beth Dishes Drama at the Dog Park
18x24in
pastel, charcoal, ink, acrylic, gesso, gel medium, and magazine paper on paper
2019
Beth Dishes Drama at the Dog Park is a visual, personal commentary of my observations while watching reality television. While taking a stroll through the dog park with her friend, Beth dishes drama about her sister-in-law, claiming she is not doing feminism correctly.
18x24in
pastel, charcoal, ink, acrylic, gesso, gel medium, and magazine paper on paper
2019
Beth Dishes Drama at the Dog Park is a visual, personal commentary of my observations while watching reality television. While taking a stroll through the dog park with her friend, Beth dishes drama about her sister-in-law, claiming she is not doing feminism correctly.
Hilary
11x14in
watercolor, ink, gel medium, and color-pencil on panel
2019
11x14in
watercolor, ink, gel medium, and color-pencil on panel
2019
Service of Loneliness
6x12in
watercolor, color-pencil, ink, marker, and acrylic on panel
2019
Service of Loneliness is a personal and meditative reflection on the heightened sense of empowerment and independence gained from exiting a toxic situation.
6x12in
watercolor, color-pencil, ink, marker, and acrylic on panel
2019
Service of Loneliness is a personal and meditative reflection on the heightened sense of empowerment and independence gained from exiting a toxic situation.
Anglerfish Study 2
7x10in
color-pencil, watercolor, ink, gesso, and gel medium on panel
2019
7x10in
color-pencil, watercolor, ink, gesso, and gel medium on panel
2019
Anglerfish Study 1
7x10in
digital print on homemade paper, color-pencil, and marker on panel
2019
7x10in
digital print on homemade paper, color-pencil, and marker on panel
2019
Follow Me
24x36in
color-pencil, watercolor, ink, gesso, collaged paper & gel medium on panel
2019
Follow Me explores contemporary notions of sex, power, and illusion by virtue of social media. The photograph used for reference was taken by Chernyavsky Kiril, a Russian photographer.
24x36in
color-pencil, watercolor, ink, gesso, collaged paper & gel medium on panel
2019
Follow Me explores contemporary notions of sex, power, and illusion by virtue of social media. The photograph used for reference was taken by Chernyavsky Kiril, a Russian photographer.
Paper Doll 3
color-pencil and pen
9x12in
2018
color-pencil and pen
9x12in
2018
Paper Doll 2/Tako in the Jungle
10x13in
watercolor, color-pencil, thread, and marker on watercolor paper
2018
Paper Doll 2/Tako in the Jungle is the second painting in my Paper Doll series. Similar to the anglerfish, octopi are a matriarchal species with bizarre reproductive traits, and will sometimes strangle their partners after mating. I painted a portrait of two hybrid, octopus-human paper dolls to poke fun at the strict canon of perfection society places on women.
10x13in
watercolor, color-pencil, thread, and marker on watercolor paper
2018
Paper Doll 2/Tako in the Jungle is the second painting in my Paper Doll series. Similar to the anglerfish, octopi are a matriarchal species with bizarre reproductive traits, and will sometimes strangle their partners after mating. I painted a portrait of two hybrid, octopus-human paper dolls to poke fun at the strict canon of perfection society places on women.
Paper Doll 1
10.5x14.5in
watercolor, color-pencil, thread, gesso, and marker on watercolor paper
2018
Paper Doll 1 is the first work in my Paper Doll series. While making this series, I was thinking about the strict canon of perfection society places on women, and how children are given toys that comply with these complex standards. This series was also inspired by toys I made for myself throughout my childhood. I loved drawing and cutting paper dolls and sewing dolls that were made from cut fabric and cotton.
For this painting, I sewed an idealized and sexualized “paper doll” figure onto the background by cross-stitching with a needle and thread. I wanted the thread to outline the figure, replacing the head for a noose.
10.5x14.5in
watercolor, color-pencil, thread, gesso, and marker on watercolor paper
2018
Paper Doll 1 is the first work in my Paper Doll series. While making this series, I was thinking about the strict canon of perfection society places on women, and how children are given toys that comply with these complex standards. This series was also inspired by toys I made for myself throughout my childhood. I loved drawing and cutting paper dolls and sewing dolls that were made from cut fabric and cotton.
For this painting, I sewed an idealized and sexualized “paper doll” figure onto the background by cross-stitching with a needle and thread. I wanted the thread to outline the figure, replacing the head for a noose.
so many women in me, side 2
30x30in
window, oil paint, and my father’s yeshiva workbook
2019
My mother is Catholic and my father is Jewish. According to halakha, the collective body of Jewish religious laws derived from the written and oral Torah, a Jew by birth must be born to a Jewish mother. I created this piece to contemplate my jewish identity and heritage.
The double-sided painting is on an 100-year-old window from the original framework of my family’s home. Framing the portrait is pages from my father’s yeshiva workbook from the 1970s, including doodles and drawings he scribbled throughout. The figure depicted is my Grandmother, and her image reads differently on both sides on the window.
I was inspired to paint this by the disturbingly rising tide of anti-semitic hate-speech in Ocean County, NJ. T To me, walls and windows represent the merged duality of outside assumptions/perspectives and your inside, personal reality and identity.
30x30in
window, oil paint, and my father’s yeshiva workbook
2019
My mother is Catholic and my father is Jewish. According to halakha, the collective body of Jewish religious laws derived from the written and oral Torah, a Jew by birth must be born to a Jewish mother. I created this piece to contemplate my jewish identity and heritage.
The double-sided painting is on an 100-year-old window from the original framework of my family’s home. Framing the portrait is pages from my father’s yeshiva workbook from the 1970s, including doodles and drawings he scribbled throughout. The figure depicted is my Grandmother, and her image reads differently on both sides on the window.
I was inspired to paint this by the disturbingly rising tide of anti-semitic hate-speech in Ocean County, NJ. T To me, walls and windows represent the merged duality of outside assumptions/perspectives and your inside, personal reality and identity.
so many women in me, side 1
30x30in
window, oil paint, and my father’s yeshiva workbook
2019
My mother is Catholic and my father is Jewish. According to halakha, the collective body of Jewish religious laws derived from the written and oral Torah, a Jew by birth must be born to a Jewish mother. I created this piece to contemplate my jewish identity and heritage.
The double-sided painting is on an 100-year-old window from the original framework of my family’s home. Framing the portrait is pages from my father’s yeshiva workbook from the 1970s, including doodles and drawings he scribbled throughout. The figure depicted is my Grandmother, and her image reads differently on both sides on the window.
I was inspired to paint this by the disturbingly rising tide of anti-semitic hate-speech in Ocean County, NJ. Walls and windows represent the merged duality of outside assumptions/perspectives and your inside, personal reality and identity.
30x30in
window, oil paint, and my father’s yeshiva workbook
2019
My mother is Catholic and my father is Jewish. According to halakha, the collective body of Jewish religious laws derived from the written and oral Torah, a Jew by birth must be born to a Jewish mother. I created this piece to contemplate my jewish identity and heritage.
The double-sided painting is on an 100-year-old window from the original framework of my family’s home. Framing the portrait is pages from my father’s yeshiva workbook from the 1970s, including doodles and drawings he scribbled throughout. The figure depicted is my Grandmother, and her image reads differently on both sides on the window.
I was inspired to paint this by the disturbingly rising tide of anti-semitic hate-speech in Ocean County, NJ. Walls and windows represent the merged duality of outside assumptions/perspectives and your inside, personal reality and identity.
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